John Williams’ Force Awakens soundtrack dropped on Spotify last night. I’m listening to it as I type—even though I haven’t yet seen the movie.
Does hearing the soundtrack count as a spoiler? It depends who you ask. For me, the music, disconnected from imagery and dialogue, gives away little about a movie’s plot. Yes, track titles can be dangerous, but composers have grown more cautious since the “Qui-Gon’s Funeral” debacle of Episode I.
So, no, soundtracks typically won’t spoil movies.[1] In fact, pre-hearing the score enhances the initial viewing experience. After all, it’s hard to appreciate instrumental music the first time through. Unfamiliarity holds you at arm’s length from the drama. Your subconscious brain whirs away, dissecting the new music instead of enjoying it.
With “primed ears”, you more easily link leitmotifs to character beats. Melodies hook your heart in a way they can’t the first time around. You hear the tension rising; you can feel the plot revelations as they land.
So… what’s my verdict on the Force Awakens soundtrack? It was fun to hear Williams rearrange the classic trilogy’s themes. But, if I’m honest, none of the new music really captured my imagination.
I blame my virgin ears. The next time I hear these melodies—in a darkened theater, popcorn at hand—I’ll be ready to really listen.
- A caveat here: you can be too familiar with a soundtrack. I know many John Williams scores (e.g. Raiders of the Lost Ark) by heart—measure by measure, modulation by modulation. I could tell you the exact moment when the hero’s theme gives way to the villain’s sinister melody. That knowledge would spoil a movie (if you hadn’t already seen it). ↩
Matt Hauger 